{"id":305616,"date":"2026-03-16T00:00:00","date_gmt":"2026-03-15T23:00:00","guid":{"rendered":"https:\/\/guerssen.com\/product\/feel-the-feeling\/"},"modified":"2026-07-07T16:06:25","modified_gmt":"2026-07-07T14:06:25","slug":"feel-the-feeling","status":"publish","type":"product","link":"https:\/\/guerssen.com\/es\/producto\/feel-the-feeling\/","title":{"rendered":"Feel The Feeling"},"content":{"rendered":"<p>Bettye Swann pose\u00eda una de las voces m\u00e1s emotivas de la m\u00fasica soul, pero su carrera discogr\u00e1fica fue una estrella fugaz: brill\u00f3 al principio, luego brill\u00f3 con fuerza antes de desvanecerse abruptamente, todo en tan solo once a\u00f1os. En 1975, dej\u00f3 de grabar, se mud\u00f3 a Las Vegas y abandon\u00f3 su personaje de Bettye Swann.<\/p>\n<p>La luisiana Betty Jean Champion se hab\u00eda mudado a Los \u00c1ngeles de joven, donde alrededor de 1964 conoci\u00f3 a Al Scott, due\u00f1o de Money Records. Fue su cuarto disco de 45 minutos, \u00abMake Me Yours\u00bb, lo que catapult\u00f3 a Swann a la estratosfera. Una de las canciones que definieron la \u00e9poca, fue su camino hacia Capitol Records, con quien firm\u00f3 en 1968.<\/p>\n<p>Para 1972, Bettye ya estaba en Atlantic Records. El primer disco de Atlantic 45, \u00abVictim Of A Foolish Heart\u00bb con \u00abCold Day In Hell\u00bb, grabado en Fame con Mickey Buckins y Rick Hall, fue un debut prometedor, alcanzando el puesto n\u00famero 16 en la lista Billboard. Le siguieron la versi\u00f3n de Bettye de \u00abToday I Started Loving You Again\u00bb de Merle Haggard y \u00abTil I Get It Right\u00bb, una delicada pieza country-soul. \u00abI&#8217;m Not That Easy To Lose\u00bb tambi\u00e9n data de esas sesiones.<\/p>\n<p>En un intento por ampliar su atractivo, Atlantic envi\u00f3 a Swann a Sigma Sound en Filadelfia, donde grab\u00f3 \u00abKiss My Love Goodbye\u00bb, \u00abTime To Say Goodbye\u00bb y \u00abWhen The Game is Played On You\u00bb de Phil Hurtt y Tony Bell. Su \u00e9xito continu\u00f3 decayendo, por lo que Swann fue asignada al productor de Nashville, Brad Shapiro. Los resultados fueron art\u00edsticamente estelares e incluyeron tres gemas in\u00e9ditas: \u00abThis Old Heart of Mine\u00bb de The Isley, una versi\u00f3n definitiva de \u00abI Want Sunday Back Again\u00bb de Maxine Weldon y \u00abEither You Love Me Or Leave Me\u00bb.<\/p>\n<p>Un d\u00fao con Sam Dees, que inclu\u00eda \u00abJust As Sure\u00bb de Barbara Acklin, se public\u00f3 en formato de 45 copias en el sello Big Tree, distribuido por Atlantic. (Gregg Burgess)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Bettye Swann pose\u00eda una de las voces m\u00e1s emotivas de la m\u00fasica soul, pero su carrera discogr\u00e1fica fue una estrella fugaz: brill\u00f3 al principio, luego brill\u00f3 con<a class=\"read\" href=\"https:\/\/guerssen.com\/es\/producto\/feel-the-feeling\/\"> (...)<\/a>","protected":false},"featured_media":305755,"template":"","meta":{"_acf_changed":false},"product_brand":[],"product_cat":[23281,21649],"product_tag":[],"class_list":["post-305616","product","type-product","status-publish","has-post-thumbnail","product_cat-garagebeatrnb60-70-es","product_cat-soul-rnb-es","pa_artist-swann-bettye","pa_format-lp-es","pa_gender-soul-rnb","pa_label-soul-4-real","pa_location-north-america-es","first","instock","taxable","shipping-taxable","purchasable","product-type-simple"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>SWANN, Bettye - Feel The Feeling -  (LP) | Guerssen<\/title>\n<meta name=\"description\" content=\"Bettye Swann possessed one of the most emotive voices in soul music\u2019s cannon but her recording career was that of a shooting-star; it blazed at the start, then illumined brightly before abruptly dissipating, all in just eleven years. In 1975 she ceased recording, moved to Las Vegas and retired her Bettye Swann persona. The Louisianan Betty Jean Champion had relocated to Los Angeles as a young woman where in around 1964 she was introduced to Al Scott, owner of Money Records. It was her fourth Money 45 \u201cMake Me Yours\u201d that propelled Swann into the stratosphere. One of the defining songs of the era, it was her pathway to Capitol Records with whom she signed in 1968. By 1972 Bettye was at Atlantic Records. The initial Atlantic 45 \u201cVictim Of A Foolish Heart\u201d b\/w \u201cCold Day In Hell\u201d recorded at Fame with Mickey Buckins and Rick Hall, made for a promising debut reaching #16 on the Billboard chart. It was followed by Bettye\u2019s version of Merle Haggard\u2019s \u201cToday I Started Loving You Again\u201d and \u201cTil I Get It Right\u201d, a gentle country-soul labour. \u201cI\u2019m Not That Easy To Lose\u201d also dates from those sessions. In an attempt to broaden her appeal Atlantic sent Swann to Sigma Sound in Philadelphia where she cut Phil Hurtt\u2019s\u2019 and Tony Bell\u2019s \u201cKiss My Love Goodbye\u201d, \u201cTime To Say Goodbye\u201d and \u201cWhen The Game is Played On You\u201d. Her fortunes continued to wane so Swann was next placed with Nashville producer Brad Shapiro. The results were artistically stellar and included three unissued gemstones in The Isley\u2019s \u201cThis Old Heart of Mine\u201d, a definitive version of Maxine Weldon\u2019s \u201cI Want Sunday Back Again\u201d, and \u201cEither You Love Me Or Leave Me\u201d. A pairing with Sam Dees that included Barbara Acklin\u2019s \u201cJust As Sure\u201d was issued as a 45 on the Atlantic distributed Big Tree label. (Gregg Burgess)\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/guerssen.com\/es\/producto\/feel-the-feeling\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"SWANN, Bettye - Feel The Feeling -  (LP) | Guerssen\" \/>\n<meta property=\"og:description\" content=\"Bettye Swann possessed one of the most emotive voices in soul music\u2019s cannon but her recording career was that of a shooting-star; it blazed at the start, then illumined brightly before abruptly dissipating, all in just eleven years. In 1975 she ceased recording, moved to Las Vegas and retired her Bettye Swann persona. The Louisianan Betty Jean Champion had relocated to Los Angeles as a young woman where in around 1964 she was introduced to Al Scott, owner of Money Records. It was her fourth Money 45 \u201cMake Me Yours\u201d that propelled Swann into the stratosphere. One of the defining songs of the era, it was her pathway to Capitol Records with whom she signed in 1968. By 1972 Bettye was at Atlantic Records. The initial Atlantic 45 \u201cVictim Of A Foolish Heart\u201d b\/w \u201cCold Day In Hell\u201d recorded at Fame with Mickey Buckins and Rick Hall, made for a promising debut reaching #16 on the Billboard chart. It was followed by Bettye\u2019s version of Merle Haggard\u2019s \u201cToday I Started Loving You Again\u201d and \u201cTil I Get It Right\u201d, a gentle country-soul labour. \u201cI\u2019m Not That Easy To Lose\u201d also dates from those sessions. In an attempt to broaden her appeal Atlantic sent Swann to Sigma Sound in Philadelphia where she cut Phil Hurtt\u2019s\u2019 and Tony Bell\u2019s \u201cKiss My Love Goodbye\u201d, \u201cTime To Say Goodbye\u201d and \u201cWhen The Game is Played On You\u201d. Her fortunes continued to wane so Swann was next placed with Nashville producer Brad Shapiro. The results were artistically stellar and included three unissued gemstones in The Isley\u2019s \u201cThis Old Heart of Mine\u201d, a definitive version of Maxine Weldon\u2019s \u201cI Want Sunday Back Again\u201d, and \u201cEither You Love Me Or Leave Me\u201d. A pairing with Sam Dees that included Barbara Acklin\u2019s \u201cJust As Sure\u201d was issued as a 45 on the Atlantic distributed Big Tree label. (Gregg Burgess)\" \/>\n<meta property=\"og:url\" content=\"https:\/\/guerssen.com\/es\/producto\/feel-the-feeling\/\" \/>\n<meta property=\"og:site_name\" content=\"Guerssen records\" \/>\n<meta property=\"article:modified_time\" content=\"2026-07-07T14:06:25+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/guerssen.com\/wp-content\/uploads\/2026\/02\/305591.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"480\" \/>\n\t<meta property=\"og:image:height\" content=\"480\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:title\" content=\"SWANN, Bettye - Feel The Feeling -  (LP) | Guerssen\" \/>\n<meta name=\"twitter:label1\" content=\"Tiempo de lectura\" \/>\n\t<meta name=\"twitter:data1\" content=\"2 minuto\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/guerssen.com\\\/es\\\/producto\\\/feel-the-feeling\\\/\",\"url\":\"https:\\\/\\\/guerssen.com\\\/es\\\/producto\\\/feel-the-feeling\\\/\",\"name\":\"SWANN, Bettye - Feel The Feeling - (LP) | Guerssen\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/guerssen.com\\\/es\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/guerssen.com\\\/es\\\/producto\\\/feel-the-feeling\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/guerssen.com\\\/es\\\/producto\\\/feel-the-feeling\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/guerssen.com\\\/wp-content\\\/uploads\\\/2026\\\/02\\\/305591.jpg\",\"datePublished\":\"2026-03-15T23:00:00+00:00\",\"dateModified\":\"2026-07-07T14:06:25+00:00\",\"description\":\"Bettye Swann possessed one of the most emotive voices in soul music\u2019s cannon but her recording career was that of a shooting-star; it blazed at the start, then illumined brightly before abruptly dissipating, all in just eleven years. In 1975 she ceased recording, moved to Las Vegas and retired her Bettye Swann persona. The Louisianan Betty Jean Champion had relocated to Los Angeles as a young woman where in around 1964 she was introduced to Al Scott, owner of Money Records. It was her fourth Money 45 \u201cMake Me Yours\u201d that propelled Swann into the stratosphere. One of the defining songs of the era, it was her pathway to Capitol Records with whom she signed in 1968. By 1972 Bettye was at Atlantic Records. The initial Atlantic 45 \u201cVictim Of A Foolish Heart\u201d b\\\/w \u201cCold Day In Hell\u201d recorded at Fame with Mickey Buckins and Rick Hall, made for a promising debut reaching #16 on the Billboard chart. It was followed by Bettye\u2019s version of Merle Haggard\u2019s \u201cToday I Started Loving You Again\u201d and \u201cTil I Get It Right\u201d, a gentle country-soul labour. \u201cI\u2019m Not That Easy To Lose\u201d also dates from those sessions. In an attempt to broaden her appeal Atlantic sent Swann to Sigma Sound in Philadelphia where she cut Phil Hurtt\u2019s\u2019 and Tony Bell\u2019s \u201cKiss My Love Goodbye\u201d, \u201cTime To Say Goodbye\u201d and \u201cWhen The Game is Played On You\u201d. Her fortunes continued to wane so Swann was next placed with Nashville producer Brad Shapiro. The results were artistically stellar and included three unissued gemstones in The Isley\u2019s \u201cThis Old Heart of Mine\u201d, a definitive version of Maxine Weldon\u2019s \u201cI Want Sunday Back Again\u201d, and \u201cEither You Love Me Or Leave Me\u201d. A pairing with Sam Dees that included Barbara Acklin\u2019s \u201cJust As Sure\u201d was issued as a 45 on the Atlantic distributed Big Tree label. 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In 1975 she ceased recording, moved to Las Vegas and retired her Bettye Swann persona. The Louisianan Betty Jean Champion had relocated to Los Angeles as a young woman where in around 1964 she was introduced to Al Scott, owner of Money Records. It was her fourth Money 45 \u201cMake Me Yours\u201d that propelled Swann into the stratosphere. One of the defining songs of the era, it was her pathway to Capitol Records with whom she signed in 1968. By 1972 Bettye was at Atlantic Records. The initial Atlantic 45 \u201cVictim Of A Foolish Heart\u201d b\/w \u201cCold Day In Hell\u201d recorded at Fame with Mickey Buckins and Rick Hall, made for a promising debut reaching #16 on the Billboard chart. It was followed by Bettye\u2019s version of Merle Haggard\u2019s \u201cToday I Started Loving You Again\u201d and \u201cTil I Get It Right\u201d, a gentle country-soul labour. \u201cI\u2019m Not That Easy To Lose\u201d also dates from those sessions. In an attempt to broaden her appeal Atlantic sent Swann to Sigma Sound in Philadelphia where she cut Phil Hurtt\u2019s\u2019 and Tony Bell\u2019s \u201cKiss My Love Goodbye\u201d, \u201cTime To Say Goodbye\u201d and \u201cWhen The Game is Played On You\u201d. Her fortunes continued to wane so Swann was next placed with Nashville producer Brad Shapiro. The results were artistically stellar and included three unissued gemstones in The Isley\u2019s \u201cThis Old Heart of Mine\u201d, a definitive version of Maxine Weldon\u2019s \u201cI Want Sunday Back Again\u201d, and \u201cEither You Love Me Or Leave Me\u201d. A pairing with Sam Dees that included Barbara Acklin\u2019s \u201cJust As Sure\u201d was issued as a 45 on the Atlantic distributed Big Tree label. (Gregg Burgess)","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/guerssen.com\/es\/producto\/feel-the-feeling\/","og_locale":"es_ES","og_type":"article","og_title":"SWANN, Bettye - Feel The Feeling -  (LP) | Guerssen","og_description":"Bettye Swann possessed one of the most emotive voices in soul music\u2019s cannon but her recording career was that of a shooting-star; it blazed at the start, then illumined brightly before abruptly dissipating, all in just eleven years. In 1975 she ceased recording, moved to Las Vegas and retired her Bettye Swann persona. The Louisianan Betty Jean Champion had relocated to Los Angeles as a young woman where in around 1964 she was introduced to Al Scott, owner of Money Records. It was her fourth Money 45 \u201cMake Me Yours\u201d that propelled Swann into the stratosphere. One of the defining songs of the era, it was her pathway to Capitol Records with whom she signed in 1968. By 1972 Bettye was at Atlantic Records. The initial Atlantic 45 \u201cVictim Of A Foolish Heart\u201d b\/w \u201cCold Day In Hell\u201d recorded at Fame with Mickey Buckins and Rick Hall, made for a promising debut reaching #16 on the Billboard chart. It was followed by Bettye\u2019s version of Merle Haggard\u2019s \u201cToday I Started Loving You Again\u201d and \u201cTil I Get It Right\u201d, a gentle country-soul labour. \u201cI\u2019m Not That Easy To Lose\u201d also dates from those sessions. In an attempt to broaden her appeal Atlantic sent Swann to Sigma Sound in Philadelphia where she cut Phil Hurtt\u2019s\u2019 and Tony Bell\u2019s \u201cKiss My Love Goodbye\u201d, \u201cTime To Say Goodbye\u201d and \u201cWhen The Game is Played On You\u201d. Her fortunes continued to wane so Swann was next placed with Nashville producer Brad Shapiro. The results were artistically stellar and included three unissued gemstones in The Isley\u2019s \u201cThis Old Heart of Mine\u201d, a definitive version of Maxine Weldon\u2019s \u201cI Want Sunday Back Again\u201d, and \u201cEither You Love Me Or Leave Me\u201d. A pairing with Sam Dees that included Barbara Acklin\u2019s \u201cJust As Sure\u201d was issued as a 45 on the Atlantic distributed Big Tree label. 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In 1975 she ceased recording, moved to Las Vegas and retired her Bettye Swann persona. The Louisianan Betty Jean Champion had relocated to Los Angeles as a young woman where in around 1964 she was introduced to Al Scott, owner of Money Records. It was her fourth Money 45 \u201cMake Me Yours\u201d that propelled Swann into the stratosphere. One of the defining songs of the era, it was her pathway to Capitol Records with whom she signed in 1968. By 1972 Bettye was at Atlantic Records. The initial Atlantic 45 \u201cVictim Of A Foolish Heart\u201d b\/w \u201cCold Day In Hell\u201d recorded at Fame with Mickey Buckins and Rick Hall, made for a promising debut reaching #16 on the Billboard chart. It was followed by Bettye\u2019s version of Merle Haggard\u2019s \u201cToday I Started Loving You Again\u201d and \u201cTil I Get It Right\u201d, a gentle country-soul labour. \u201cI\u2019m Not That Easy To Lose\u201d also dates from those sessions. In an attempt to broaden her appeal Atlantic sent Swann to Sigma Sound in Philadelphia where she cut Phil Hurtt\u2019s\u2019 and Tony Bell\u2019s \u201cKiss My Love Goodbye\u201d, \u201cTime To Say Goodbye\u201d and \u201cWhen The Game is Played On You\u201d. Her fortunes continued to wane so Swann was next placed with Nashville producer Brad Shapiro. The results were artistically stellar and included three unissued gemstones in The Isley\u2019s \u201cThis Old Heart of Mine\u201d, a definitive version of Maxine Weldon\u2019s \u201cI Want Sunday Back Again\u201d, and \u201cEither You Love Me Or Leave Me\u201d. A pairing with Sam Dees that included Barbara Acklin\u2019s \u201cJust As Sure\u201d was issued as a 45 on the Atlantic distributed Big Tree label. 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