{"id":291530,"date":"2025-06-21T00:00:00","date_gmt":"2025-06-20T22:00:00","guid":{"rendered":"https:\/\/guerssen.com\/product\/diriaou-2\/"},"modified":"2026-03-09T16:39:16","modified_gmt":"2026-03-09T15:39:16","slug":"diriaou-2","status":"publish","type":"product","link":"https:\/\/guerssen.com\/es\/producto\/diriaou-2\/","title":{"rendered":"Diriaou"},"content":{"rendered":"

Cuando ofrecieron algunos conciertos como d\u00fao en el verano de 1998, Kristen Nogu\u00e8s y John Surman ya hab\u00edan trabajado arduamente en la fusi\u00f3n de g\u00e9neros: Nogu\u00e8s hab\u00eda confrontado la m\u00fasica tradicional bretona con la m\u00fasica contempor\u00e1nea, y Surman hab\u00eda transformado su jazz en n\u00fameros atmosf\u00e9ricos que se encontrar\u00edan entre las mejores grabaciones del sello ECM. Como d\u00fao, el arpista y el saxofonista inventar\u00edan algo diferente: folk libre, ambient tradicional, fest-noz modal\u2026 es dif\u00edcil de etiquetar, porque el d\u00fao Nogu\u00e8s \/ Surman es \u00fanico.
Diriaou significa \u00abjueves\u00bb en bret\u00f3n. Tambi\u00e9n es el t\u00edtulo de la primera pieza que Kristen Nogu\u00e8s y John Surman tocaron juntos en 1991. Nogu\u00e8s aprendi\u00f3 el idioma bret\u00f3n de ni\u00f1a, al mismo tiempo que el arpa celta, tomando lecciones con Denise M\u00e9gevand, quien luego ense\u00f1ar\u00eda a otros, especialmente a Alan Stivell. A principios de la d\u00e9cada de 1970, Nogu\u00e8s descubri\u00f3 el canto bret\u00f3n (soniou y gwerziou). A principios de la d\u00e9cada de 1970, descubri\u00f3 la tradici\u00f3n de la canci\u00f3n bretona (soniou y gwerziou) y se involucr\u00f3 en N\u00e9v\u00e9no\u00e9, una cooperativa de expresi\u00f3n tradicional fundada por G\u00e9rard Delahaye y Patrick Ewen. Grab\u00f3 un sencillo con los dos m\u00fasicos en 1974, luego su primer \u00e1lbum, dos a\u00f1os despu\u00e9s.<\/p>\n

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Cuando ofrecieron algunos conciertos como d\u00fao en el verano de 1998, Kristen Nogu\u00e8s y John Surman ya hab\u00edan trabajado arduamente en la fusi\u00f3n de g\u00e9neros: Nogu\u00e8s (...)<\/a>","protected":false},"featured_media":293833,"template":"","meta":{"_acf_changed":false},"product_brand":[],"product_cat":[23270,23218],"product_tag":[],"class_list":{"0":"post-291530","1":"product","2":"type-product","3":"status-publish","4":"has-post-thumbnail","6":"product_cat-folk-00s-now-es","7":"product_cat-free-jazz-es","8":"pa_artist-nogues-kristen-surman-john","9":"pa_format-lp-es","10":"pa_gender-free-jazz-folk-00s-now","11":"pa_label-soufflecontinu","12":"pa_location-europe-es","14":"first","15":"instock","16":"taxable","17":"shipping-taxable","18":"purchasable","19":"product-type-simple"},"acf":[],"yoast_head":"\nNOGU\u00c8S, Kristen & SURMAN, John - Diriaou - (LP) | Guerssen<\/title>\n<meta name=\"description\" content=\"When they performed a handful of concerts as a duo in the summer of 1998, Kristen Nogu\u00e8s and John Surman had already worked a lot on the interweaving of genres: Nogu\u00e8s had confronted traditional Breton music with contemporary music and Surman had changed his jazz into atmospheric numbers that would be amongst the finest recording on the ECM label. As a duo, the harpist and the saxophonist would go on to invent something different: free folk, traditional ambient, modal \u2018fest-noz\u2019 \u2026 it is difficult to label, because the duo Nogu\u00e8s \/ Surman is one of a kind.Diriaou, means \u201cThursday\u201d in Breton. It is also the title of the first piece that Kristen Nogu\u00e8s and John Surman played together in 1991. Nogu\u00e8s learned the Breton language as a child, at the same time as the Celtic harp, \u2013 taking lessons with Denise M\u00e9gevand, who would go on to teach others, notably Alan Stivell. At the beginning of the 1970s, Nogu\u00e8s discovered Breton singing (soniou and gwerziou) At the beginning of the 1970s, she discovered the Breton song tradition (soniou and gwerziou) and became involved in N\u00e9v\u00e9no\u00e9, a cooperative of traditional expression founded by G\u00e9rard Delahaye and Patrick Ewen. She recorded a single with the two musicians in 1974, then her first album, two years later.Everyone who has listened to Kristen Nogu\u00e8s debut Marc\u2019h Gouez, is now aware of her mysterious plucked strings. Her art, leaving Brittany, would go on to take in all landscapes and folklores, in the same as that of John Surman, conceived a little further north including vernacular jazz, international fusion with Chris McGregor or Miroslav Vitou\u0161, and exploring more personal territory. Remember the Cornish landscapes in one of the best albums on the ECM label : Road To Saint Ives.Kristen Nogu\u00e8s and John Surman thus shared an \u2018extra-Celtic\u2019 inspiration infused with free improvisation. On this recording, made in 1998 by Tanguy Le Dor\u00e9 at the Dre Ar Wenojenn festival, the duo uses original compositions which refer back to traditional songs (Maro Pontkalek, Le Scorff). The musicians then create fantastic impressions: Baz Valan, on which Nogu\u00e8s and Surman have a heavenly exchange; Kernow, on which the shared theme slowing disappears into the mist; Maro Pontkalek and Diriaou which move from the storm to the calm. Elsewhere, there is singing, first with Surman (Kleier) and then moving on to Nogu\u00e8s (Kerzhadenn and her signature song Berceuse). On a canvas of traditional music, the two musicians weave countless memorable landscapes.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/guerssen.com\/es\/producto\/diriaou-2\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"NOGU\u00c8S, Kristen & SURMAN, John - Diriaou - (LP) | Guerssen\" \/>\n<meta property=\"og:description\" content=\"When they performed a handful of concerts as a duo in the summer of 1998, Kristen Nogu\u00e8s and John Surman had already worked a lot on the interweaving of genres: Nogu\u00e8s had confronted traditional Breton music with contemporary music and Surman had changed his jazz into atmospheric numbers that would be amongst the finest recording on the ECM label. As a duo, the harpist and the saxophonist would go on to invent something different: free folk, traditional ambient, modal \u2018fest-noz\u2019 \u2026 it is difficult to label, because the duo Nogu\u00e8s \/ Surman is one of a kind.Diriaou, means \u201cThursday\u201d in Breton. It is also the title of the first piece that Kristen Nogu\u00e8s and John Surman played together in 1991. Nogu\u00e8s learned the Breton language as a child, at the same time as the Celtic harp, \u2013 taking lessons with Denise M\u00e9gevand, who would go on to teach others, notably Alan Stivell. At the beginning of the 1970s, Nogu\u00e8s discovered Breton singing (soniou and gwerziou) At the beginning of the 1970s, she discovered the Breton song tradition (soniou and gwerziou) and became involved in N\u00e9v\u00e9no\u00e9, a cooperative of traditional expression founded by G\u00e9rard Delahaye and Patrick Ewen. She recorded a single with the two musicians in 1974, then her first album, two years later.Everyone who has listened to Kristen Nogu\u00e8s debut Marc\u2019h Gouez, is now aware of her mysterious plucked strings. Her art, leaving Brittany, would go on to take in all landscapes and folklores, in the same as that of John Surman, conceived a little further north including vernacular jazz, international fusion with Chris McGregor or Miroslav Vitou\u0161, and exploring more personal territory. Remember the Cornish landscapes in one of the best albums on the ECM label : Road To Saint Ives.Kristen Nogu\u00e8s and John Surman thus shared an \u2018extra-Celtic\u2019 inspiration infused with free improvisation. On this recording, made in 1998 by Tanguy Le Dor\u00e9 at the Dre Ar Wenojenn festival, the duo uses original compositions which refer back to traditional songs (Maro Pontkalek, Le Scorff). The musicians then create fantastic impressions: Baz Valan, on which Nogu\u00e8s and Surman have a heavenly exchange; Kernow, on which the shared theme slowing disappears into the mist; Maro Pontkalek and Diriaou which move from the storm to the calm. Elsewhere, there is singing, first with Surman (Kleier) and then moving on to Nogu\u00e8s (Kerzhadenn and her signature song Berceuse). On a canvas of traditional music, the two musicians weave countless memorable landscapes.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/guerssen.com\/es\/producto\/diriaou-2\/\" \/>\n<meta property=\"og:site_name\" content=\"Guerssen records\" \/>\n<meta property=\"article:modified_time\" content=\"2026-03-09T15:39:16+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/guerssen.com\/wp-content\/uploads\/2025\/08\/291518.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"2000\" \/>\n\t<meta property=\"og:image:height\" content=\"2000\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:title\" content=\"NOGU\u00c8S, Kristen & SURMAN, John - Diriaou - (LP) | Guerssen\" \/>\n<meta name=\"twitter:label1\" content=\"Tiempo de lectura\" \/>\n\t<meta name=\"twitter:data1\" content=\"1 minuto\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/guerssen.com\/es\/producto\/diriaou-2\/\",\"url\":\"https:\/\/guerssen.com\/es\/producto\/diriaou-2\/\",\"name\":\"NOGU\u00c8S, Kristen & SURMAN, John - Diriaou - (LP) | Guerssen\",\"isPartOf\":{\"@id\":\"https:\/\/guerssen.com\/es\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/guerssen.com\/es\/producto\/diriaou-2\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/guerssen.com\/es\/producto\/diriaou-2\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/guerssen.com\/wp-content\/uploads\/2025\/08\/291518.jpg\",\"datePublished\":\"2025-06-20T22:00:00+00:00\",\"dateModified\":\"2026-03-09T15:39:16+00:00\",\"description\":\"When they performed a handful of concerts as a duo in the summer of 1998, Kristen Nogu\u00e8s and John Surman had already worked a lot on the interweaving of genres: Nogu\u00e8s had confronted traditional Breton music with contemporary music and Surman had changed his jazz into atmospheric numbers that would be amongst the finest recording on the ECM label. As a duo, the harpist and the saxophonist would go on to invent something different: free folk, traditional ambient, modal \u2018fest-noz\u2019 \u2026 it is difficult to label, because the duo Nogu\u00e8s \/ Surman is one of a kind.Diriaou, means \u201cThursday\u201d in Breton. It is also the title of the first piece that Kristen Nogu\u00e8s and John Surman played together in 1991. Nogu\u00e8s learned the Breton language as a child, at the same time as the Celtic harp, \u2013 taking lessons with Denise M\u00e9gevand, who would go on to teach others, notably Alan Stivell. At the beginning of the 1970s, Nogu\u00e8s discovered Breton singing (soniou and gwerziou) At the beginning of the 1970s, she discovered the Breton song tradition (soniou and gwerziou) and became involved in N\u00e9v\u00e9no\u00e9, a cooperative of traditional expression founded by G\u00e9rard Delahaye and Patrick Ewen. She recorded a single with the two musicians in 1974, then her first album, two years later.Everyone who has listened to Kristen Nogu\u00e8s debut Marc\u2019h Gouez, is now aware of her mysterious plucked strings. Her art, leaving Brittany, would go on to take in all landscapes and folklores, in the same as that of John Surman, conceived a little further north including vernacular jazz, international fusion with Chris McGregor or Miroslav Vitou\u0161, and exploring more personal territory. Remember the Cornish landscapes in one of the best albums on the ECM label : Road To Saint Ives.Kristen Nogu\u00e8s and John Surman thus shared an \u2018extra-Celtic\u2019 inspiration infused with free improvisation. On this recording, made in 1998 by Tanguy Le Dor\u00e9 at the Dre Ar Wenojenn festival, the duo uses original compositions which refer back to traditional songs (Maro Pontkalek, Le Scorff). The musicians then create fantastic impressions: Baz Valan, on which Nogu\u00e8s and Surman have a heavenly exchange; Kernow, on which the shared theme slowing disappears into the mist; Maro Pontkalek and Diriaou which move from the storm to the calm. Elsewhere, there is singing, first with Surman (Kleier) and then moving on to Nogu\u00e8s (Kerzhadenn and her signature song Berceuse). 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As a duo, the harpist and the saxophonist would go on to invent something different: free folk, traditional ambient, modal \u2018fest-noz\u2019 \u2026 it is difficult to label, because the duo Nogu\u00e8s \/ Surman is one of a kind.Diriaou, means \u201cThursday\u201d in Breton. It is also the title of the first piece that Kristen Nogu\u00e8s and John Surman played together in 1991. Nogu\u00e8s learned the Breton language as a child, at the same time as the Celtic harp, \u2013 taking lessons with Denise M\u00e9gevand, who would go on to teach others, notably Alan Stivell. At the beginning of the 1970s, Nogu\u00e8s discovered Breton singing (soniou and gwerziou) At the beginning of the 1970s, she discovered the Breton song tradition (soniou and gwerziou) and became involved in N\u00e9v\u00e9no\u00e9, a cooperative of traditional expression founded by G\u00e9rard Delahaye and Patrick Ewen. She recorded a single with the two musicians in 1974, then her first album, two years later.Everyone who has listened to Kristen Nogu\u00e8s debut Marc\u2019h Gouez, is now aware of her mysterious plucked strings. Her art, leaving Brittany, would go on to take in all landscapes and folklores, in the same as that of John Surman, conceived a little further north including vernacular jazz, international fusion with Chris McGregor or Miroslav Vitou\u0161, and exploring more personal territory. Remember the Cornish landscapes in one of the best albums on the ECM label : Road To Saint Ives.Kristen Nogu\u00e8s and John Surman thus shared an \u2018extra-Celtic\u2019 inspiration infused with free improvisation. On this recording, made in 1998 by Tanguy Le Dor\u00e9 at the Dre Ar Wenojenn festival, the duo uses original compositions which refer back to traditional songs (Maro Pontkalek, Le Scorff). The musicians then create fantastic impressions: Baz Valan, on which Nogu\u00e8s and Surman have a heavenly exchange; Kernow, on which the shared theme slowing disappears into the mist; Maro Pontkalek and Diriaou which move from the storm to the calm. Elsewhere, there is singing, first with Surman (Kleier) and then moving on to Nogu\u00e8s (Kerzhadenn and her signature song Berceuse). 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As a duo, the harpist and the saxophonist would go on to invent something different: free folk, traditional ambient, modal \u2018fest-noz\u2019 \u2026 it is difficult to label, because the duo Nogu\u00e8s \/ Surman is one of a kind.Diriaou, means \u201cThursday\u201d in Breton. It is also the title of the first piece that Kristen Nogu\u00e8s and John Surman played together in 1991. Nogu\u00e8s learned the Breton language as a child, at the same time as the Celtic harp, \u2013 taking lessons with Denise M\u00e9gevand, who would go on to teach others, notably Alan Stivell. At the beginning of the 1970s, Nogu\u00e8s discovered Breton singing (soniou and gwerziou) At the beginning of the 1970s, she discovered the Breton song tradition (soniou and gwerziou) and became involved in N\u00e9v\u00e9no\u00e9, a cooperative of traditional expression founded by G\u00e9rard Delahaye and Patrick Ewen. She recorded a single with the two musicians in 1974, then her first album, two years later.Everyone who has listened to Kristen Nogu\u00e8s debut Marc\u2019h Gouez, is now aware of her mysterious plucked strings. Her art, leaving Brittany, would go on to take in all landscapes and folklores, in the same as that of John Surman, conceived a little further north including vernacular jazz, international fusion with Chris McGregor or Miroslav Vitou\u0161, and exploring more personal territory. Remember the Cornish landscapes in one of the best albums on the ECM label : Road To Saint Ives.Kristen Nogu\u00e8s and John Surman thus shared an \u2018extra-Celtic\u2019 inspiration infused with free improvisation. On this recording, made in 1998 by Tanguy Le Dor\u00e9 at the Dre Ar Wenojenn festival, the duo uses original compositions which refer back to traditional songs (Maro Pontkalek, Le Scorff). The musicians then create fantastic impressions: Baz Valan, on which Nogu\u00e8s and Surman have a heavenly exchange; Kernow, on which the shared theme slowing disappears into the mist; Maro Pontkalek and Diriaou which move from the storm to the calm. Elsewhere, there is singing, first with Surman (Kleier) and then moving on to Nogu\u00e8s (Kerzhadenn and her signature song Berceuse). On a canvas of traditional music, the two musicians weave countless memorable landscapes.","breadcrumb":{"@id":"https:\/\/guerssen.com\/es\/producto\/diriaou-2\/#breadcrumb"},"inLanguage":"es","potentialAction":[{"@type":"ReadAction","target":["https:\/\/guerssen.com\/es\/producto\/diriaou-2\/"]}]},{"@type":"ImageObject","inLanguage":"es","@id":"https:\/\/guerssen.com\/es\/producto\/diriaou-2\/#primaryimage","url":"https:\/\/guerssen.com\/wp-content\/uploads\/2025\/08\/291518.jpg","contentUrl":"https:\/\/guerssen.com\/wp-content\/uploads\/2025\/08\/291518.jpg","width":2000,"height":2000},{"@type":"BreadcrumbList","@id":"https:\/\/guerssen.com\/es\/producto\/diriaou-2\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Inicio","item":"https:\/\/guerssen.com\/es\/guerssen-records\/"},{"@type":"ListItem","position":2,"name":"Shop","item":"https:\/\/guerssen.com\/es\/shop\/"},{"@type":"ListItem","position":3,"name":"Diriaou"}]},{"@type":"WebSite","@id":"https:\/\/guerssen.com\/es\/#website","url":"https:\/\/guerssen.com\/es\/","name":"Guerssen records","description":"psychedelia - progressive - folk - garage ","publisher":{"@id":"https:\/\/guerssen.com\/es\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/guerssen.com\/es\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"es"},{"@type":"Organization","@id":"https:\/\/guerssen.com\/es\/#organization","name":"Guerssen records","url":"https:\/\/guerssen.com\/es\/","logo":{"@type":"ImageObject","inLanguage":"es","@id":"https:\/\/guerssen.com\/es\/#\/schema\/logo\/image\/","url":"https:\/\/guerssen.com\/wp-content\/uploads\/2022\/04\/Logo_Guerssen_trans_100.png","contentUrl":"https:\/\/guerssen.com\/wp-content\/uploads\/2022\/04\/Logo_Guerssen_trans_100.png","width":122,"height":100,"caption":"Guerssen records"},"image":{"@id":"https:\/\/guerssen.com\/es\/#\/schema\/logo\/image\/"}}]}},"_links":{"self":[{"href":"https:\/\/guerssen.com\/es\/wp-json\/wp\/v2\/product\/291530","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/guerssen.com\/es\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/guerssen.com\/es\/wp-json\/wp\/v2\/types\/product"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/guerssen.com\/es\/wp-json\/wp\/v2\/media\/293833"}],"wp:attachment":[{"href":"https:\/\/guerssen.com\/es\/wp-json\/wp\/v2\/media?parent=291530"}],"wp:term":[{"taxonomy":"product_brand","embeddable":true,"href":"https:\/\/guerssen.com\/es\/wp-json\/wp\/v2\/product_brand?post=291530"},{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/guerssen.com\/es\/wp-json\/wp\/v2\/product_cat?post=291530"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/guerssen.com\/es\/wp-json\/wp\/v2\/product_tag?post=291530"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}