{"id":216123,"date":"2026-10-13T02:00:00","date_gmt":"2026-10-13T00:00:00","guid":{"rendered":"https:\/\/guerssen.com\/product\/come-with-me\/"},"modified":"2026-10-13T14:51:16","modified_gmt":"2026-10-13T12:51:16","slug":"come-with-me","status":"publish","type":"product","link":"https:\/\/guerssen.com\/es\/producto\/come-with-me\/","title":{"rendered":"Come with me"},"content":{"rendered":"<p>Este es el primer relanzamiento oficial en vinilo con licencia cortes\u00eda de Cherry Red Records Ltd, remasterizado a partir de una copia maestra original. Rust eran el australiano John Thomas a la guitarra y voz y dos ingleses, Brian Hillman a la bater\u00eda y Walt Monaghan al bajo y voz, inmersos en los inicios de la escena kraut en Alemania. Originalmente grabado en oto\u00f1o de 1968 y lanzado a principios de 1969 en el sello alem\u00e1n H\u00f6rZu, su \u00e1lbum &#8216;Come With Me&#8217; es algo as\u00ed como un minicl\u00e1sico perdido. En Australia, John Thomas toc\u00f3 con muchas bandas antes de ganar un poco de fama con The Flies, quienes grabaron unos 7&#8243; y apoyaron entre otros a The Rolling Stones y Roy Orbison. En 1967 John Thomas se mud\u00f3 a D\u00fcsseldorf, donde viv\u00eda su novia y consigui\u00f3 un contrato por un disco con EMI que conoc\u00eda las grabaciones de The Flies. Uno de los grandes \u00e1lbumes perdidos de la \u00e9poca, &#8216;Come With Me&#8217;, fue una delicia de principio a fin.<br \/>Repleto de melod\u00edas asesinas, gran trabajo de guitarra, excelente voz principal y armon\u00eda, y con todas las pistas unidas por varios efectos de sonido, &#8216;Come With Me&#8217; fue un apasionante \u00e1lbum de pop psicod\u00e9lico de finales de los 60. Desafortunadamente, no apareci\u00f3 fuera de Alemania, donde fue publicado en enero de 1969 por el sello H\u00f6rZu. El \u00e1lbum viene con insert completo con la historia de la banda y algunas fotos. \u00a1No te pierdas este cl\u00e1sico perdido!<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Este es el primer relanzamiento oficial en vinilo con licencia cortes\u00eda de Cherry Red Records Ltd, remasterizado a partir de una copia maestra original. Rust eran<a class=\"read\" href=\"https:\/\/guerssen.com\/es\/producto\/come-with-me\/\"> (...)<\/a>","protected":false},"featured_media":212021,"template":"","meta":{"_acf_changed":false},"product_brand":[],"product_cat":[23262,21639],"product_tag":[24185],"class_list":["post-216123","product","type-product","status-publish","has-post-thumbnail","product_cat-blues-blues-rock-es","product_cat-psychedelic60s-70s-es","product_tag-de-nuevo-en-existencia","pa_artist-rust-es","pa_format-lp-es","pa_gender-psychedelic60s-70s-blues-blues-rock","pa_label-long-hair-es","pa_location-australia-nz-es","first","instock","taxable","shipping-taxable","purchasable","product-type-simple"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>RUST - Come with me -  (LP) | Guerssen<\/title>\n<meta name=\"description\" content=\"This is the first official re-release on vinyl under licensed courtesy of Cherry Red Records Ltd, UK, remastered from an original master copy. Rust were Australian born John Thomas on guitar and vocals and two Englishmen, Brian Hillman on drums and Walt Monaghan on bass and vocals, immersed in the beginnings of the kraut scene in Germany. Originally recorded in autumn 1968 and released in early 1969 on the German H\u00f6rZu label, their album &#039;Come With Me&#039; is something of a lost mini-classic. In Australia John Thomas played with many bands before earning a little bit of fame with The Flies, who recorded some 7&quot; and supported a.o. The Rolling Stones and Roy Orbison. In 1967 John Thomas moved to D\u00fcsseldorf, where his girlfriend lived and got a record deal with EMI who knew the The Flies recordings. One of the era&#039;s great lost albums &#039;Come With Me&#039; was a delight from start to finish. Setting the scene with a Beatles style snippet of the introductory title track &#039;Come With Me&#039; sparked into life with the bluesy psych rocker &#039;You Thought You Had It Made&#039; complete with some Clapton-style fuzz guitar licks, throbbing organ distorted vocal and sound effects. &#039;Please Return&#039; was a glorious amalgam of The Small Faces, The Attack and Procol Harum, while the laconic band theme tune &#039;Rust&#039; and album title track &#039;Come With Me&#039; recall the post-Winwood version of The Spencer Davis Group. &#039;Elsewhere Find A Hideaway&#039; was a gorgeous West Coast-sounding psychedelic ballad, &#039;Delusion&#039; and &#039;The Endless Struggle&#039; evoked Cream, while &#039;It Doesn&#039;t Add Up To Me&#039; was a commercial pop\/rock song taken into choppier waters by another electronically distorted lead vocal and an extended instrumental coda. Chockfull of killer melodies, great guitar work, superb lead and harmony vocals, and with all tracks linked together by various sound effects, &#039;Come With Me&#039; was a gripping late &#039;60s psychedelic pop album, with enough melodic invention and flare to take it away beyond similar period pieces. (David Wells&#039; linernotes to &#039;Trippin&#039; Like A Dog And Rockin&#039; Like A Bitch&#039;). Unfortunately it didn&#039;t appear outside of Germany where it was issued in January 1969 by H\u00f6rZu label who clumsily flagged the album&#039;s musical style and potential market by adding the word underground to the front cover. Despite the creepy, gothic, and somewhat terrible cover art, &#039;Come With Me&#039; is a pretty technicolour slab of psychedelic rock. This is one of Long Hair&#039;s favorites. The album comes with comprehensive band story and some photos. Don&#039;t miss this lost classic!\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/guerssen.com\/es\/producto\/come-with-me\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"RUST - Come with me -  (LP) | Guerssen\" \/>\n<meta property=\"og:description\" content=\"This is the first official re-release on vinyl under licensed courtesy of Cherry Red Records Ltd, UK, remastered from an original master copy. Rust were Australian born John Thomas on guitar and vocals and two Englishmen, Brian Hillman on drums and Walt Monaghan on bass and vocals, immersed in the beginnings of the kraut scene in Germany. Originally recorded in autumn 1968 and released in early 1969 on the German H\u00f6rZu label, their album &#039;Come With Me&#039; is something of a lost mini-classic. In Australia John Thomas played with many bands before earning a little bit of fame with The Flies, who recorded some 7&quot; and supported a.o. The Rolling Stones and Roy Orbison. In 1967 John Thomas moved to D\u00fcsseldorf, where his girlfriend lived and got a record deal with EMI who knew the The Flies recordings. One of the era&#039;s great lost albums &#039;Come With Me&#039; was a delight from start to finish. Setting the scene with a Beatles style snippet of the introductory title track &#039;Come With Me&#039; sparked into life with the bluesy psych rocker &#039;You Thought You Had It Made&#039; complete with some Clapton-style fuzz guitar licks, throbbing organ distorted vocal and sound effects. &#039;Please Return&#039; was a glorious amalgam of The Small Faces, The Attack and Procol Harum, while the laconic band theme tune &#039;Rust&#039; and album title track &#039;Come With Me&#039; recall the post-Winwood version of The Spencer Davis Group. &#039;Elsewhere Find A Hideaway&#039; was a gorgeous West Coast-sounding psychedelic ballad, &#039;Delusion&#039; and &#039;The Endless Struggle&#039; evoked Cream, while &#039;It Doesn&#039;t Add Up To Me&#039; was a commercial pop\/rock song taken into choppier waters by another electronically distorted lead vocal and an extended instrumental coda. Chockfull of killer melodies, great guitar work, superb lead and harmony vocals, and with all tracks linked together by various sound effects, &#039;Come With Me&#039; was a gripping late &#039;60s psychedelic pop album, with enough melodic invention and flare to take it away beyond similar period pieces. (David Wells&#039; linernotes to &#039;Trippin&#039; Like A Dog And Rockin&#039; Like A Bitch&#039;). Unfortunately it didn&#039;t appear outside of Germany where it was issued in January 1969 by H\u00f6rZu label who clumsily flagged the album&#039;s musical style and potential market by adding the word underground to the front cover. Despite the creepy, gothic, and somewhat terrible cover art, &#039;Come With Me&#039; is a pretty technicolour slab of psychedelic rock. This is one of Long Hair&#039;s favorites. The album comes with comprehensive band story and some photos. Don&#039;t miss this lost classic!\" \/>\n<meta property=\"og:url\" content=\"https:\/\/guerssen.com\/es\/producto\/come-with-me\/\" \/>\n<meta property=\"og:site_name\" content=\"Guerssen records\" \/>\n<meta property=\"article:modified_time\" content=\"2026-10-13T12:51:16+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/guerssen.com\/wp-content\/uploads\/2022\/06\/41340.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"180\" \/>\n\t<meta property=\"og:image:height\" content=\"180\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:title\" content=\"RUST - Come with me -  (LP) | Guerssen\" \/>\n<meta name=\"twitter:label1\" content=\"Tiempo de lectura\" \/>\n\t<meta name=\"twitter:data1\" content=\"1 minuto\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/guerssen.com\\\/es\\\/producto\\\/come-with-me\\\/\",\"url\":\"https:\\\/\\\/guerssen.com\\\/es\\\/producto\\\/come-with-me\\\/\",\"name\":\"RUST - Come with me - (LP) | Guerssen\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/guerssen.com\\\/es\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/guerssen.com\\\/es\\\/producto\\\/come-with-me\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/guerssen.com\\\/es\\\/producto\\\/come-with-me\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/guerssen.com\\\/wp-content\\\/uploads\\\/2022\\\/06\\\/41340.jpg\",\"datePublished\":\"2026-10-13T00:00:00+00:00\",\"dateModified\":\"2026-10-13T12:51:16+00:00\",\"description\":\"This is the first official re-release on vinyl under licensed courtesy of Cherry Red Records Ltd, UK, remastered from an original master copy. Rust were Australian born John Thomas on guitar and vocals and two Englishmen, Brian Hillman on drums and Walt Monaghan on bass and vocals, immersed in the beginnings of the kraut scene in Germany. Originally recorded in autumn 1968 and released in early 1969 on the German H\u00f6rZu label, their album 'Come With Me' is something of a lost mini-classic. In Australia John Thomas played with many bands before earning a little bit of fame with The Flies, who recorded some 7\\\" and supported a.o. The Rolling Stones and Roy Orbison. In 1967 John Thomas moved to D\u00fcsseldorf, where his girlfriend lived and got a record deal with EMI who knew the The Flies recordings. One of the era's great lost albums 'Come With Me' was a delight from start to finish. Setting the scene with a Beatles style snippet of the introductory title track 'Come With Me' sparked into life with the bluesy psych rocker 'You Thought You Had It Made' complete with some Clapton-style fuzz guitar licks, throbbing organ distorted vocal and sound effects. 'Please Return' was a glorious amalgam of The Small Faces, The Attack and Procol Harum, while the laconic band theme tune 'Rust' and album title track 'Come With Me' recall the post-Winwood version of The Spencer Davis Group. 'Elsewhere Find A Hideaway' was a gorgeous West Coast-sounding psychedelic ballad, 'Delusion' and 'The Endless Struggle' evoked Cream, while 'It Doesn't Add Up To Me' was a commercial pop\\\/rock song taken into choppier waters by another electronically distorted lead vocal and an extended instrumental coda. Chockfull of killer melodies, great guitar work, superb lead and harmony vocals, and with all tracks linked together by various sound effects, 'Come With Me' was a gripping late '60s psychedelic pop album, with enough melodic invention and flare to take it away beyond similar period pieces. (David Wells' linernotes to 'Trippin' Like A Dog And Rockin' Like A Bitch'). Unfortunately it didn't appear outside of Germany where it was issued in January 1969 by H\u00f6rZu label who clumsily flagged the album's musical style and potential market by adding the word underground to the front cover. Despite the creepy, gothic, and somewhat terrible cover art, 'Come With Me' is a pretty technicolour slab of psychedelic rock. This is one of Long Hair's favorites. The album comes with comprehensive band story and some photos. 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Rust were Australian born John Thomas on guitar and vocals and two Englishmen, Brian Hillman on drums and Walt Monaghan on bass and vocals, immersed in the beginnings of the kraut scene in Germany. Originally recorded in autumn 1968 and released in early 1969 on the German H\u00f6rZu label, their album 'Come With Me' is something of a lost mini-classic. In Australia John Thomas played with many bands before earning a little bit of fame with The Flies, who recorded some 7\" and supported a.o. The Rolling Stones and Roy Orbison. In 1967 John Thomas moved to D\u00fcsseldorf, where his girlfriend lived and got a record deal with EMI who knew the The Flies recordings. One of the era's great lost albums 'Come With Me' was a delight from start to finish. Setting the scene with a Beatles style snippet of the introductory title track 'Come With Me' sparked into life with the bluesy psych rocker 'You Thought You Had It Made' complete with some Clapton-style fuzz guitar licks, throbbing organ distorted vocal and sound effects. 'Please Return' was a glorious amalgam of The Small Faces, The Attack and Procol Harum, while the laconic band theme tune 'Rust' and album title track 'Come With Me' recall the post-Winwood version of The Spencer Davis Group. 'Elsewhere Find A Hideaway' was a gorgeous West Coast-sounding psychedelic ballad, 'Delusion' and 'The Endless Struggle' evoked Cream, while 'It Doesn't Add Up To Me' was a commercial pop\/rock song taken into choppier waters by another electronically distorted lead vocal and an extended instrumental coda. Chockfull of killer melodies, great guitar work, superb lead and harmony vocals, and with all tracks linked together by various sound effects, 'Come With Me' was a gripping late '60s psychedelic pop album, with enough melodic invention and flare to take it away beyond similar period pieces. (David Wells' linernotes to 'Trippin' Like A Dog And Rockin' Like A Bitch'). Unfortunately it didn't appear outside of Germany where it was issued in January 1969 by H\u00f6rZu label who clumsily flagged the album's musical style and potential market by adding the word underground to the front cover. Despite the creepy, gothic, and somewhat terrible cover art, 'Come With Me' is a pretty technicolour slab of psychedelic rock. This is one of Long Hair's favorites. The album comes with comprehensive band story and some photos. 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In Australia John Thomas played with many bands before earning a little bit of fame with The Flies, who recorded some 7\" and supported a.o. The Rolling Stones and Roy Orbison. In 1967 John Thomas moved to D\u00fcsseldorf, where his girlfriend lived and got a record deal with EMI who knew the The Flies recordings. One of the era's great lost albums 'Come With Me' was a delight from start to finish. Setting the scene with a Beatles style snippet of the introductory title track 'Come With Me' sparked into life with the bluesy psych rocker 'You Thought You Had It Made' complete with some Clapton-style fuzz guitar licks, throbbing organ distorted vocal and sound effects. 'Please Return' was a glorious amalgam of The Small Faces, The Attack and Procol Harum, while the laconic band theme tune 'Rust' and album title track 'Come With Me' recall the post-Winwood version of The Spencer Davis Group. 'Elsewhere Find A Hideaway' was a gorgeous West Coast-sounding psychedelic ballad, 'Delusion' and 'The Endless Struggle' evoked Cream, while 'It Doesn't Add Up To Me' was a commercial pop\/rock song taken into choppier waters by another electronically distorted lead vocal and an extended instrumental coda. Chockfull of killer melodies, great guitar work, superb lead and harmony vocals, and with all tracks linked together by various sound effects, 'Come With Me' was a gripping late '60s psychedelic pop album, with enough melodic invention and flare to take it away beyond similar period pieces. (David Wells' linernotes to 'Trippin' Like A Dog And Rockin' Like A Bitch'). Unfortunately it didn't appear outside of Germany where it was issued in January 1969 by H\u00f6rZu label who clumsily flagged the album's musical style and potential market by adding the word underground to the front cover. Despite the creepy, gothic, and somewhat terrible cover art, 'Come With Me' is a pretty technicolour slab of psychedelic rock. This is one of Long Hair's favorites. The album comes with comprehensive band story and some photos. Don't miss this lost classic!","og_url":"https:\/\/guerssen.com\/es\/producto\/come-with-me\/","og_site_name":"Guerssen records","article_modified_time":"2026-10-13T12:51:16+00:00","og_image":[{"width":180,"height":180,"url":"https:\/\/guerssen.com\/wp-content\/uploads\/2022\/06\/41340.jpg","type":"image\/jpeg"}],"twitter_card":"summary_large_image","twitter_title":"RUST - Come with me -  (LP) | Guerssen","twitter_misc":{"Tiempo de lectura":"1 minuto"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/guerssen.com\/es\/producto\/come-with-me\/","url":"https:\/\/guerssen.com\/es\/producto\/come-with-me\/","name":"RUST - Come with me - (LP) | Guerssen","isPartOf":{"@id":"https:\/\/guerssen.com\/es\/#website"},"primaryImageOfPage":{"@id":"https:\/\/guerssen.com\/es\/producto\/come-with-me\/#primaryimage"},"image":{"@id":"https:\/\/guerssen.com\/es\/producto\/come-with-me\/#primaryimage"},"thumbnailUrl":"https:\/\/guerssen.com\/wp-content\/uploads\/2022\/06\/41340.jpg","datePublished":"2026-10-13T00:00:00+00:00","dateModified":"2026-10-13T12:51:16+00:00","description":"This is the first official re-release on vinyl under licensed courtesy of Cherry Red Records Ltd, UK, remastered from an original master copy. Rust were Australian born John Thomas on guitar and vocals and two Englishmen, Brian Hillman on drums and Walt Monaghan on bass and vocals, immersed in the beginnings of the kraut scene in Germany. Originally recorded in autumn 1968 and released in early 1969 on the German H\u00f6rZu label, their album 'Come With Me' is something of a lost mini-classic. In Australia John Thomas played with many bands before earning a little bit of fame with The Flies, who recorded some 7\" and supported a.o. The Rolling Stones and Roy Orbison. In 1967 John Thomas moved to D\u00fcsseldorf, where his girlfriend lived and got a record deal with EMI who knew the The Flies recordings. One of the era's great lost albums 'Come With Me' was a delight from start to finish. Setting the scene with a Beatles style snippet of the introductory title track 'Come With Me' sparked into life with the bluesy psych rocker 'You Thought You Had It Made' complete with some Clapton-style fuzz guitar licks, throbbing organ distorted vocal and sound effects. 'Please Return' was a glorious amalgam of The Small Faces, The Attack and Procol Harum, while the laconic band theme tune 'Rust' and album title track 'Come With Me' recall the post-Winwood version of The Spencer Davis Group. 'Elsewhere Find A Hideaway' was a gorgeous West Coast-sounding psychedelic ballad, 'Delusion' and 'The Endless Struggle' evoked Cream, while 'It Doesn't Add Up To Me' was a commercial pop\/rock song taken into choppier waters by another electronically distorted lead vocal and an extended instrumental coda. Chockfull of killer melodies, great guitar work, superb lead and harmony vocals, and with all tracks linked together by various sound effects, 'Come With Me' was a gripping late '60s psychedelic pop album, with enough melodic invention and flare to take it away beyond similar period pieces. (David Wells' linernotes to 'Trippin' Like A Dog And Rockin' Like A Bitch'). Unfortunately it didn't appear outside of Germany where it was issued in January 1969 by H\u00f6rZu label who clumsily flagged the album's musical style and potential market by adding the word underground to the front cover. Despite the creepy, gothic, and somewhat terrible cover art, 'Come With Me' is a pretty technicolour slab of psychedelic rock. This is one of Long Hair's favorites. The album comes with comprehensive band story and some photos. 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