{"id":186171,"date":"2025-10-06T02:00:00","date_gmt":"2025-10-06T00:00:00","guid":{"rendered":"http:\/\/guerssen.hl1097.dinaserver.com\/product\/musica-eletronica\/"},"modified":"2026-10-06T14:45:11","modified_gmt":"2026-10-06T12:45:11","slug":"musica-eletronica","status":"publish","type":"product","link":"https:\/\/guerssen.com\/es\/producto\/musica-eletronica\/","title":{"rendered":"M\u00fasica Eletr\u00f4nica"},"content":{"rendered":"

Originalmente editado en 1975, \u201cM\u00fasica Eletr\u00f4nica\u201d est\u00e1 considerado como el primer disco electr\u00f3nico brasile\u00f1o. Contiene obras grababas por el pionero de la m\u00fasica electro-ac\u00fastica y avant-garde Jorge Antunes entre 1962 y 1970. Muy en la onda de m\u00fasicos experimentales como Pierre Henry, Iannis Xenakis o Pierre Henry, aqu\u00ed encontrar\u00e1s pioneros ejercicios de oscilaciones electr\u00f3nicas, ruido blanco, feedback, loops, manipulaci\u00f3n de cinta y asombosos cortes con elementos de proto-sampling, minimalismo y glitches.<\/p>\n

Muy recomendado si te gustan m\u00fasicos como Pierre Henry, Iannis Xenakis, Pierre Schaeffer, Ralph Lundsten, Louis & Bebe Baron, Ihlan Mimaroglu, Morton Subotnick, Stockhausen\u2026<\/p>\n

Nacido en 1942 en R\u00edo de Janeiro, Jorge Antunes es uno de los primeros compositores de m\u00fasica electro\u00e1custica de Brasil. Durante los a\u00f1os 60, Antunes construy\u00f3 sus propios artilugios para crear m\u00fasica electr\u00f3nica, sin apenas medios: rudimentarios theremines, reverbs de muelles, filtros de frecuencias…Las piezas aqu\u00ed incluidas fueron grabadas en su propio estudio casero y tambi\u00e9n en el Laboratorio de M\u00fasica Electr\u00f3nica de Buenos Aires<\/p>\n

Encontramos obras de 1962 como \u00abBalsa Sideral\u00bb, donde Antunes usa eco artificial, reverberaci\u00f3n y feedback, usando cabezales magn\u00e9ticos, y que esta considerada como la primera obra de m\u00fasica completamente eletr\u00f3nica hecha en Brasil.<\/p>\n

\u201cAuto-retrato sobre paisaje porte\u00f1o\u201d (1969 \/ 1970) se adelante varias d\u00e9cadas al turntablism. Antunes usa un viejo disco de tango argentino comprado en un mercadillo, \u00absample\u00e1ndolo\u00bb para crear loops con el ruido del vinilo, mezcl\u00e1ndolo con efectos de sonido y voz grabada en cinta. Un sonido muy avanzado que se anticipa al downtempo y al techno de las siguientes d\u00e9cadas. La versi\u00f3n aqu\u00ed incluida es la original que Antunes tuvo que autocensurar para evitar problemas con la dictadura, al incluir un collage de denuncia hacia el regimen militar.<\/p>\n

\u201cCinta Cita\u201d (1969) fue la primera pieza grabada por Antunes en un estudio profesional. Puros sonidos electr\u00f3nicos y ritmos con ruido filtrado y sonidos sint\u00e9ticos.<\/p>\n

\u201cContrapunctus versus contrapunctus\u201d (1962), fue creada manipulando y cortando \/ pegando cinta magn\u00e9tica.<\/p>\n

\u201cHistoria de un Pueblo por Nacer or Carta Abierta a Vassili Vassilikos y a todos los Pesimistas\u201d (1970) con sus sonidos sinoidales y bajas frecuencias, est\u00e1 inspirada en la novela y pel\u00edcula \u2018Z\u2019 de Vassili Vassilikos. En la versi\u00f3n original de la pieza, Antunes incluy\u00f3 un extracto del himno comunista. Para evitar problemas con la censura, lo elimin\u00f3 cuando se edit\u00f3 el disco. Aqu\u00ed hemos incluido la versi\u00f3n original sin censurar.<\/p>\n

En 1970 Antunes asisti\u00f3 en labores de investigaci\u00f3n en el Instituto de Sinolog\u00eda de la Universidad de Utrecht con la especializaci\u00f3n de M\u00fasica de Computadora, trabajando con el ordenador Electrologia X-8. Durante los a\u00f1os 70 en diferentes ocasiones, Antunes trabaj\u00f3 bajo la supervisi\u00f3n de Pierre Schaeffer e Iannis Xenakis entre otros.<\/p>\n

Actualmente, Mr. Antunes es el director del Estudio Musical Electroac\u00fastico de la Universidad de Brasilia y presidente de la Sociedad Brasile\u00f1a de M\u00fasica Electroac\u00fastica.<\/p>\n

Por primera vez reeditado en vinilo con t\u00edtulos y m\u00fasica sin censurar, tal y como Jorge Antunes lo concibi\u00f3 en la \u00e9poca<\/p>\n

Sonido de los m\u00e1sters originales<\/p>\n

Insert con notas y fotos<\/p>\n

\u201c\u2026Es alrededor del primer minuto de \u00abAuto Retrato\u00bb cuando una especie de mezcla de ritmos contempor\u00e1neos downtempo y sonidos sampleados aparecen…DJ Kid Koala ni siquiera hab\u00eda nacido cuando esto fue grabado\u00bb \u2013 Marc Weidenbaum (Disquiet)<\/p>\n

\u201cEl minimalismo naci\u00f3 en Brasil\u201d \u2013 Claver Filho<\/p>\n

Tracklist:
Historia de un Pueblo por Nacer ou Carta Abierta a Vassili Vassilikos y a todos los Pesimistas 16:32
Cinta Cita 4:52
Auto-Retrato Sobre Paisaje Porte\u00f1o 14:47
Valsa Sideral 3:11
Contrapunctus Contra Contrapunctus 4:21<\/p>\n","protected":false},"excerpt":{"rendered":"

Originalmente editado en 1975, \u201cM\u00fasica Eletr\u00f4nica\u201d est\u00e1 considerado como el primer disco electr\u00f3nico brasile\u00f1o. Contiene obras grababas por el pionero de (...)<\/a>","protected":false},"featured_media":119059,"template":"","meta":{"_acf_changed":false},"product_brand":[],"product_cat":[23260,23266],"product_tag":[],"class_list":["post-186171","product","type-product","status-publish","has-post-thumbnail","product_cat-avant-garde-experime-es","product_cat-electronic-es","pa_artist-antunes-jorge-es","pa_format-lp-es","pa_gender-electronic-avant-garde-experime","pa_label-mental-experience-es","pa_location-south-america-caribbean-es","first","instock","taxable","shipping-taxable","purchasable","product-type-simple"],"acf":[],"yoast_head":"\nANTUNES, Jorge - M\u00fasica Eletr\u00f4nica - (LP) | Guerssen<\/title>\n<meta name=\"description\" content=\"Originally released in 1975, \u201cM\u00fasica Eletr\u00f4nica\u201d is considered the first electro-acoustic \/ electronic album made in Brazil. It features tracks recorded between 1962 and 1970 by avant-garde \/ electronic music pioneer Jorge Antunes. Early electronic oscillations, white noise, feedback, loops, tape manipulation, treated vocals and proto-minimalism \/ sampling \/ glitches\u2026Mandatory to anyone into Pierre Henry, Iannis Xenakis, Pierre Schaeffer, Ralph Lundsten, Louis & Bebe Baron, Ihlan Mimaroglu, Morton Subotnick, Stockhausen\u2026Born in 1942 in Rio de Janeiro, Jorge Antunes is one of the earliest composers of electro-acoustic music in Brazil. During the early 60s, he built his own components for making electronic music: theremin, sawtooth oscillator, a spring-reverb device, a frequency filter\u2026 The works included on \u201cM\u00fasica Eletr\u00f4nica\u201d were recorded at Antunes\u2019 home studio and at the Electronic Music Laboratory of the Institute Torcuato Di Tella, in Buenos Aires, Argentine. We can find early pieces like \u201cValsa Sideral\u201d (1962), on which Antunes uses artificial echo and reverberation by feedback between the recording heads to create the first Brazilian work consisting only of electronic tones.\u201cAuto-retrato sobre paisaje porte\u00f1o\u201d (1969 \/ 1970) is an amazing piece of early turntablism on which Antunes \u201csamples\u201d an old tango vinyl record found at a flea market, using it as a loop and for sound effects \/ manipulation, adding a different, \u201celectronic dance\u201d version to it, mixed with electronic sound effects and cut voice manipulation \/ sound poetry. It sounds years ahead of its time and it\u2019s a precursor to the dance \/ downtempo music from the following decades. The version included here, features the audio collage which Antunes created to criticize the military regimes from Brazil and Argentine and which wasn\u2019t used on the original LP to avoid any problems with censorship.\u201cCinta Cita\u201d (1969) was the first piece recorded by Antunes at a professional studio. Pure electronic sounds and pulsating rhythms using filtered noise and synthetic sounds created by additive synthesis. \u201cContrapunctus versus contrapunctus\u201d (1962) was created using tape splicing, micro-assemblies and tape manipulation.\u201cHistoria de un Pueblo por Nacer or Carta Abierta a Vassili Vassilikos y a todos los Pesimistas\u201d (1970) with its sinoidal sounds and low frequencies was inspired by the plot of the novel and film \u2018Z\u2019 by Vassili Vassilikos. In the original audio of this work, Antunes used a quotation from the International Communist anthem. To avoid problems, he cut that passage for inclusion on the original LP. But you\u2019ll find here the uncensored, original version.In 1970 Antunes had done research at the Institute of Sonology at the University of Utrecht with a specialization in Computer Music (working with the Electrologia X-8 computer). During the 70s at different occasions he had worked under guidance of Pierre Schaeffer and Iannis Xenakis amongst others. Mr. Antunes is presently Director of the Electroacoustic Music Studio of the University of Brasilia and President of the Brazilian Society for Electroacoustic Music.First ever vinyl reissue with uncensored titles \/ music, just as Jorge Antunes envisioned it at the timeMaster tape soundInsert with liner notes and photos\u201c\u2026It\u2019s a minute or so into \u201cAuto Retrato\u201d when a very contemporary mix of archival sound and downtempo beat kick in; DJ Kid Koala wasn\u2019t even born when this was recorded...\u201d \u2013 Marc Weidenbaum (Disquiet)\u201cMinimalism was born in Brazil\u201d \u2013 Claver FilhoTracklist:Historia de un Pueblo por Nacer ou Carta Abierta a Vassili Vassilikos y a todos los Pesimistas 16:32Cinta Cita 4:52Auto-Retrato Sobre Paisaje Porte\u00f1o 14:47Valsa Sideral 3:11 Contrapunctus Contra Contrapunctus 4:21\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/guerssen.com\/es\/producto\/musica-eletronica\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"ANTUNES, Jorge - M\u00fasica Eletr\u00f4nica - (LP) | Guerssen\" \/>\n<meta property=\"og:description\" content=\"Originally released in 1975, \u201cM\u00fasica Eletr\u00f4nica\u201d is considered the first electro-acoustic \/ electronic album made in Brazil. It features tracks recorded between 1962 and 1970 by avant-garde \/ electronic music pioneer Jorge Antunes. Early electronic oscillations, white noise, feedback, loops, tape manipulation, treated vocals and proto-minimalism \/ sampling \/ glitches\u2026Mandatory to anyone into Pierre Henry, Iannis Xenakis, Pierre Schaeffer, Ralph Lundsten, Louis & Bebe Baron, Ihlan Mimaroglu, Morton Subotnick, Stockhausen\u2026Born in 1942 in Rio de Janeiro, Jorge Antunes is one of the earliest composers of electro-acoustic music in Brazil. During the early 60s, he built his own components for making electronic music: theremin, sawtooth oscillator, a spring-reverb device, a frequency filter\u2026 The works included on \u201cM\u00fasica Eletr\u00f4nica\u201d were recorded at Antunes\u2019 home studio and at the Electronic Music Laboratory of the Institute Torcuato Di Tella, in Buenos Aires, Argentine. We can find early pieces like \u201cValsa Sideral\u201d (1962), on which Antunes uses artificial echo and reverberation by feedback between the recording heads to create the first Brazilian work consisting only of electronic tones.\u201cAuto-retrato sobre paisaje porte\u00f1o\u201d (1969 \/ 1970) is an amazing piece of early turntablism on which Antunes \u201csamples\u201d an old tango vinyl record found at a flea market, using it as a loop and for sound effects \/ manipulation, adding a different, \u201celectronic dance\u201d version to it, mixed with electronic sound effects and cut voice manipulation \/ sound poetry. It sounds years ahead of its time and it\u2019s a precursor to the dance \/ downtempo music from the following decades. The version included here, features the audio collage which Antunes created to criticize the military regimes from Brazil and Argentine and which wasn\u2019t used on the original LP to avoid any problems with censorship.\u201cCinta Cita\u201d (1969) was the first piece recorded by Antunes at a professional studio. Pure electronic sounds and pulsating rhythms using filtered noise and synthetic sounds created by additive synthesis. \u201cContrapunctus versus contrapunctus\u201d (1962) was created using tape splicing, micro-assemblies and tape manipulation.\u201cHistoria de un Pueblo por Nacer or Carta Abierta a Vassili Vassilikos y a todos los Pesimistas\u201d (1970) with its sinoidal sounds and low frequencies was inspired by the plot of the novel and film \u2018Z\u2019 by Vassili Vassilikos. In the original audio of this work, Antunes used a quotation from the International Communist anthem. To avoid problems, he cut that passage for inclusion on the original LP. But you\u2019ll find here the uncensored, original version.In 1970 Antunes had done research at the Institute of Sonology at the University of Utrecht with a specialization in Computer Music (working with the Electrologia X-8 computer). During the 70s at different occasions he had worked under guidance of Pierre Schaeffer and Iannis Xenakis amongst others. Mr. Antunes is presently Director of the Electroacoustic Music Studio of the University of Brasilia and President of the Brazilian Society for Electroacoustic Music.First ever vinyl reissue with uncensored titles \/ music, just as Jorge Antunes envisioned it at the timeMaster tape soundInsert with liner notes and photos\u201c\u2026It\u2019s a minute or so into \u201cAuto Retrato\u201d when a very contemporary mix of archival sound and downtempo beat kick in; DJ Kid Koala wasn\u2019t even born when this was recorded...\u201d \u2013 Marc Weidenbaum (Disquiet)\u201cMinimalism was born in Brazil\u201d \u2013 Claver FilhoTracklist:Historia de un Pueblo por Nacer ou Carta Abierta a Vassili Vassilikos y a todos los Pesimistas 16:32Cinta Cita 4:52Auto-Retrato Sobre Paisaje Porte\u00f1o 14:47Valsa Sideral 3:11 Contrapunctus Contra Contrapunctus 4:21\" \/>\n<meta property=\"og:url\" content=\"https:\/\/guerssen.com\/es\/producto\/musica-eletronica\/\" \/>\n<meta property=\"og:site_name\" content=\"Guerssen records\" \/>\n<meta property=\"article:modified_time\" content=\"2026-10-06T12:45:11+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/guerssen.com\/wp-content\/uploads\/2022\/03\/26007.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1600\" \/>\n\t<meta property=\"og:image:height\" content=\"1600\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:title\" content=\"ANTUNES, Jorge - M\u00fasica Eletr\u00f4nica - (LP) | Guerssen\" \/>\n<meta name=\"twitter:label1\" content=\"Tiempo de lectura\" \/>\n\t<meta name=\"twitter:data1\" content=\"3 minuto\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/guerssen.com\\\/es\\\/producto\\\/musica-eletronica\\\/\",\"url\":\"https:\\\/\\\/guerssen.com\\\/es\\\/producto\\\/musica-eletronica\\\/\",\"name\":\"ANTUNES, Jorge - M\u00fasica Eletr\u00f4nica - (LP) | Guerssen\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/guerssen.com\\\/es\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/guerssen.com\\\/es\\\/producto\\\/musica-eletronica\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/guerssen.com\\\/es\\\/producto\\\/musica-eletronica\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/guerssen.com\\\/wp-content\\\/uploads\\\/2022\\\/03\\\/26007.jpg\",\"datePublished\":\"2025-10-06T00:00:00+00:00\",\"dateModified\":\"2026-10-06T12:45:11+00:00\",\"description\":\"Originally released in 1975, \u201cM\u00fasica Eletr\u00f4nica\u201d is considered the first electro-acoustic \\\/ electronic album made in Brazil. It features tracks recorded between 1962 and 1970 by avant-garde \\\/ electronic music pioneer Jorge Antunes. Early electronic oscillations, white noise, feedback, loops, tape manipulation, treated vocals and proto-minimalism \\\/ sampling \\\/ glitches\u2026Mandatory to anyone into Pierre Henry, Iannis Xenakis, Pierre Schaeffer, Ralph Lundsten, Louis & Bebe Baron, Ihlan Mimaroglu, Morton Subotnick, Stockhausen\u2026Born in 1942 in Rio de Janeiro, Jorge Antunes is one of the earliest composers of electro-acoustic music in Brazil. During the early 60s, he built his own components for making electronic music: theremin, sawtooth oscillator, a spring-reverb device, a frequency filter\u2026 The works included on \u201cM\u00fasica Eletr\u00f4nica\u201d were recorded at Antunes\u2019 home studio and at the Electronic Music Laboratory of the Institute Torcuato Di Tella, in Buenos Aires, Argentine. We can find early pieces like \u201cValsa Sideral\u201d (1962), on which Antunes uses artificial echo and reverberation by feedback between the recording heads to create the first Brazilian work consisting only of electronic tones.\u201cAuto-retrato sobre paisaje porte\u00f1o\u201d (1969 \\\/ 1970) is an amazing piece of early turntablism on which Antunes \u201csamples\u201d an old tango vinyl record found at a flea market, using it as a loop and for sound effects \\\/ manipulation, adding a different, \u201celectronic dance\u201d version to it, mixed with electronic sound effects and cut voice manipulation \\\/ sound poetry. It sounds years ahead of its time and it\u2019s a precursor to the dance \\\/ downtempo music from the following decades. The version included here, features the audio collage which Antunes created to criticize the military regimes from Brazil and Argentine and which wasn\u2019t used on the original LP to avoid any problems with censorship.\u201cCinta Cita\u201d (1969) was the first piece recorded by Antunes at a professional studio. Pure electronic sounds and pulsating rhythms using filtered noise and synthetic sounds created by additive synthesis. \u201cContrapunctus versus contrapunctus\u201d (1962) was created using tape splicing, micro-assemblies and tape manipulation.\u201cHistoria de un Pueblo por Nacer or Carta Abierta a Vassili Vassilikos y a todos los Pesimistas\u201d (1970) with its sinoidal sounds and low frequencies was inspired by the plot of the novel and film \u2018Z\u2019 by Vassili Vassilikos. In the original audio of this work, Antunes used a quotation from the International Communist anthem. To avoid problems, he cut that passage for inclusion on the original LP. 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It features tracks recorded between 1962 and 1970 by avant-garde \/ electronic music pioneer Jorge Antunes. Early electronic oscillations, white noise, feedback, loops, tape manipulation, treated vocals and proto-minimalism \/ sampling \/ glitches\u2026Mandatory to anyone into Pierre Henry, Iannis Xenakis, Pierre Schaeffer, Ralph Lundsten, Louis & Bebe Baron, Ihlan Mimaroglu, Morton Subotnick, Stockhausen\u2026Born in 1942 in Rio de Janeiro, Jorge Antunes is one of the earliest composers of electro-acoustic music in Brazil. During the early 60s, he built his own components for making electronic music: theremin, sawtooth oscillator, a spring-reverb device, a frequency filter\u2026 The works included on \u201cM\u00fasica Eletr\u00f4nica\u201d were recorded at Antunes\u2019 home studio and at the Electronic Music Laboratory of the Institute Torcuato Di Tella, in Buenos Aires, Argentine. We can find early pieces like \u201cValsa Sideral\u201d (1962), on which Antunes uses artificial echo and reverberation by feedback between the recording heads to create the first Brazilian work consisting only of electronic tones.\u201cAuto-retrato sobre paisaje porte\u00f1o\u201d (1969 \/ 1970) is an amazing piece of early turntablism on which Antunes \u201csamples\u201d an old tango vinyl record found at a flea market, using it as a loop and for sound effects \/ manipulation, adding a different, \u201celectronic dance\u201d version to it, mixed with electronic sound effects and cut voice manipulation \/ sound poetry. It sounds years ahead of its time and it\u2019s a precursor to the dance \/ downtempo music from the following decades. The version included here, features the audio collage which Antunes created to criticize the military regimes from Brazil and Argentine and which wasn\u2019t used on the original LP to avoid any problems with censorship.\u201cCinta Cita\u201d (1969) was the first piece recorded by Antunes at a professional studio. Pure electronic sounds and pulsating rhythms using filtered noise and synthetic sounds created by additive synthesis. \u201cContrapunctus versus contrapunctus\u201d (1962) was created using tape splicing, micro-assemblies and tape manipulation.\u201cHistoria de un Pueblo por Nacer or Carta Abierta a Vassili Vassilikos y a todos los Pesimistas\u201d (1970) with its sinoidal sounds and low frequencies was inspired by the plot of the novel and film \u2018Z\u2019 by Vassili Vassilikos. In the original audio of this work, Antunes used a quotation from the International Communist anthem. To avoid problems, he cut that passage for inclusion on the original LP. But you\u2019ll find here the uncensored, original version.In 1970 Antunes had done research at the Institute of Sonology at the University of Utrecht with a specialization in Computer Music (working with the Electrologia X-8 computer). During the 70s at different occasions he had worked under guidance of Pierre Schaeffer and Iannis Xenakis amongst others. Mr. Antunes is presently Director of the Electroacoustic Music Studio of the University of Brasilia and President of the Brazilian Society for Electroacoustic Music.First ever vinyl reissue with uncensored titles \/ music, just as Jorge Antunes envisioned it at the timeMaster tape soundInsert with liner notes and photos\u201c\u2026It\u2019s a minute or so into \u201cAuto Retrato\u201d when a very contemporary mix of archival sound and downtempo beat kick in; DJ Kid Koala wasn\u2019t even born when this was recorded...\u201d \u2013 Marc Weidenbaum (Disquiet)\u201cMinimalism was born in Brazil\u201d \u2013 Claver FilhoTracklist:Historia de un Pueblo por Nacer ou Carta Abierta a Vassili Vassilikos y a todos los Pesimistas 16:32Cinta Cita 4:52Auto-Retrato Sobre Paisaje Porte\u00f1o 14:47Valsa Sideral 3:11 Contrapunctus Contra Contrapunctus 4:21","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/guerssen.com\/es\/producto\/musica-eletronica\/","og_locale":"es_ES","og_type":"article","og_title":"ANTUNES, Jorge - M\u00fasica Eletr\u00f4nica - (LP) | Guerssen","og_description":"Originally released in 1975, \u201cM\u00fasica Eletr\u00f4nica\u201d is considered the first electro-acoustic \/ electronic album made in Brazil. It features tracks recorded between 1962 and 1970 by avant-garde \/ electronic music pioneer Jorge Antunes. Early electronic oscillations, white noise, feedback, loops, tape manipulation, treated vocals and proto-minimalism \/ sampling \/ glitches\u2026Mandatory to anyone into Pierre Henry, Iannis Xenakis, Pierre Schaeffer, Ralph Lundsten, Louis & Bebe Baron, Ihlan Mimaroglu, Morton Subotnick, Stockhausen\u2026Born in 1942 in Rio de Janeiro, Jorge Antunes is one of the earliest composers of electro-acoustic music in Brazil. During the early 60s, he built his own components for making electronic music: theremin, sawtooth oscillator, a spring-reverb device, a frequency filter\u2026 The works included on \u201cM\u00fasica Eletr\u00f4nica\u201d were recorded at Antunes\u2019 home studio and at the Electronic Music Laboratory of the Institute Torcuato Di Tella, in Buenos Aires, Argentine. We can find early pieces like \u201cValsa Sideral\u201d (1962), on which Antunes uses artificial echo and reverberation by feedback between the recording heads to create the first Brazilian work consisting only of electronic tones.\u201cAuto-retrato sobre paisaje porte\u00f1o\u201d (1969 \/ 1970) is an amazing piece of early turntablism on which Antunes \u201csamples\u201d an old tango vinyl record found at a flea market, using it as a loop and for sound effects \/ manipulation, adding a different, \u201celectronic dance\u201d version to it, mixed with electronic sound effects and cut voice manipulation \/ sound poetry. It sounds years ahead of its time and it\u2019s a precursor to the dance \/ downtempo music from the following decades. The version included here, features the audio collage which Antunes created to criticize the military regimes from Brazil and Argentine and which wasn\u2019t used on the original LP to avoid any problems with censorship.\u201cCinta Cita\u201d (1969) was the first piece recorded by Antunes at a professional studio. Pure electronic sounds and pulsating rhythms using filtered noise and synthetic sounds created by additive synthesis. \u201cContrapunctus versus contrapunctus\u201d (1962) was created using tape splicing, micro-assemblies and tape manipulation.\u201cHistoria de un Pueblo por Nacer or Carta Abierta a Vassili Vassilikos y a todos los Pesimistas\u201d (1970) with its sinoidal sounds and low frequencies was inspired by the plot of the novel and film \u2018Z\u2019 by Vassili Vassilikos. In the original audio of this work, Antunes used a quotation from the International Communist anthem. To avoid problems, he cut that passage for inclusion on the original LP. But you\u2019ll find here the uncensored, original version.In 1970 Antunes had done research at the Institute of Sonology at the University of Utrecht with a specialization in Computer Music (working with the Electrologia X-8 computer). During the 70s at different occasions he had worked under guidance of Pierre Schaeffer and Iannis Xenakis amongst others. 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It features tracks recorded between 1962 and 1970 by avant-garde \/ electronic music pioneer Jorge Antunes. Early electronic oscillations, white noise, feedback, loops, tape manipulation, treated vocals and proto-minimalism \/ sampling \/ glitches\u2026Mandatory to anyone into Pierre Henry, Iannis Xenakis, Pierre Schaeffer, Ralph Lundsten, Louis & Bebe Baron, Ihlan Mimaroglu, Morton Subotnick, Stockhausen\u2026Born in 1942 in Rio de Janeiro, Jorge Antunes is one of the earliest composers of electro-acoustic music in Brazil. During the early 60s, he built his own components for making electronic music: theremin, sawtooth oscillator, a spring-reverb device, a frequency filter\u2026 The works included on \u201cM\u00fasica Eletr\u00f4nica\u201d were recorded at Antunes\u2019 home studio and at the Electronic Music Laboratory of the Institute Torcuato Di Tella, in Buenos Aires, Argentine. We can find early pieces like \u201cValsa Sideral\u201d (1962), on which Antunes uses artificial echo and reverberation by feedback between the recording heads to create the first Brazilian work consisting only of electronic tones.\u201cAuto-retrato sobre paisaje porte\u00f1o\u201d (1969 \/ 1970) is an amazing piece of early turntablism on which Antunes \u201csamples\u201d an old tango vinyl record found at a flea market, using it as a loop and for sound effects \/ manipulation, adding a different, \u201celectronic dance\u201d version to it, mixed with electronic sound effects and cut voice manipulation \/ sound poetry. It sounds years ahead of its time and it\u2019s a precursor to the dance \/ downtempo music from the following decades. The version included here, features the audio collage which Antunes created to criticize the military regimes from Brazil and Argentine and which wasn\u2019t used on the original LP to avoid any problems with censorship.\u201cCinta Cita\u201d (1969) was the first piece recorded by Antunes at a professional studio. Pure electronic sounds and pulsating rhythms using filtered noise and synthetic sounds created by additive synthesis. \u201cContrapunctus versus contrapunctus\u201d (1962) was created using tape splicing, micro-assemblies and tape manipulation.\u201cHistoria de un Pueblo por Nacer or Carta Abierta a Vassili Vassilikos y a todos los Pesimistas\u201d (1970) with its sinoidal sounds and low frequencies was inspired by the plot of the novel and film \u2018Z\u2019 by Vassili Vassilikos. In the original audio of this work, Antunes used a quotation from the International Communist anthem. To avoid problems, he cut that passage for inclusion on the original LP. But you\u2019ll find here the uncensored, original version.In 1970 Antunes had done research at the Institute of Sonology at the University of Utrecht with a specialization in Computer Music (working with the Electrologia X-8 computer). During the 70s at different occasions he had worked under guidance of Pierre Schaeffer and Iannis Xenakis amongst others. 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